Parting words

I’ve decided. After some inner wrangling over the benefits of continuing with this blog, at this particular juncture the best thing is for me to stop.

With the poetry residency over, I had considered segueing into a broader consideration of poetry, to include the musical kind, for example. One thing I haven’t mentioned is that I am also a concert pianist. Four days after my end-of-residency poetry reading, I played a concert in Ballarat with a dear clarinet-wielding friend. Not sure of the intelligence behind the decision to hold a poetry reading and a concert in the same week, but that’s how it happened.

Contemporary clarinet and piano

Presented in conjunction with the Art Gallery of Ballarat exhibition ‘Capturing Flora: 300 years of Australian botanical art’

No surprise really – I’ve been squeezing things in around the edges of my days for as long as I can remember because choosing between writing and music was never an option. To do so would be akin to lopping off my left arm in preference for my right: not good for overall coordination and well-being. Any attempt I’ve made over the years to restrict one in favour of the other has resulted in diminished capacity all round – as though someone turned off the oxygen tank.

But I have hit my limit as far as fitting it all in goes. You see, a big incentive to stop has arrived: the impending birth of my child. Any day, they say.

So while there might be more poetic adventures to share in the future, this is it for now. THANKS to you who have followed this blog, I’ve appreciated it. Take care, write on, and I’ll read you around another time.

Bronwyn Blaiklock

 

Flora captured

And not just flora, it seems. Hearts. Minds. Enthusiasm floweth all round in the poetry project. You may recall me mention a gaggle of poets involved in a collaborative venture between the Art Gallery of Ballarat, the University of Ballarat and Ballarat Writers Inc. Well, we’re now at the celebratory end of the project, having workshopped and written and revised and polished and rehearsed our new works over the past six weeks.

The anthology of our words is now on the designer’s desktop, our shiny new pieces being set next to the art works that inspired them in a 48-page full-colour wonder. The booklet will be available free to recital-goers with their ticket, and also for sale in the gallery shop. A collector’s item for sure.

Book your ticket here. Because it is a roving recital – one that will move around in the exhibition space – numbers are strictly limited in each performance. You won’t see this anywhere else.

'Flora Captured' poetry recital

New works by local writers recited alongside the object of their inspiration.

It’s exciting to think that in two weeks today, the group will have the first recital under its collective belt and will be looking forward to the second.

For me however, the chance to speak my words in the roving recital would be a bonus: the birth of my first child may intervene…

A gaggle of poets

Back on 8 September, an eager group of writers gathered at The Bean Barn to take part in a new project called ‘Artists inspire artistry’. It’s based on an idea that has been buzzing around in the Ballarat Writers Inc. box of ideas for a few years: a roving recital of new works written in response to art. Roving because the works are read in front of the art that inspired them – in this case, selected from the soon-to-open exhibition at the Art Gallery of Ballarat, ‘Capturing Flora: 300 years of Australian botanical art’.

When earlier this year I was approached by the gallery to offer suggestions for events that could run in conjunction with their exhibition, up popped the idea. I figured we could spread the love even further still, so invited staff from the University of Ballarat’s School of Education and Arts to participate. I recruited passionate academics in literature and spoken performance. So now the project involves the Art Gallery, the University and literature/arts students, and members of Ballarat Writers Inc: a fine developmental opportunity  for local aspiring writers and a ripper cross-arts collaborative endeavour. Fabulous.

From mid-September to late October, 11 writers and poets are learning about and practising ekphrastic writing, workshopping ideas, visiting the gallery, and writing writing writing. They will also be treated to workshops in presentation. Their brief: to produce a new piece of writing in response to something from the exhibition.

The project culminates in two public recitals in the exhibition space on Friday 9 November and Tuesday 13 November. You’ll even be able to buy a copy of the totally unique, limited-edition anthology of new writing that will include full colour plates of the artwork associated with each poem, vignette or story. Just a little exciting!

Given the exhibition title, perhaps a more appropriate collective noun might have been a ‘pod of poets’. Maybe?